Trainwreck is a trainwreck

Trainwreck is a trainwreck

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Sure I’m the last person on the block to see this vehicle for the highly touted talents of apple-cheeked Amy Schumer. But let me be the first to walk away unimpressed.

The film poster (left) is funnier than anything in the film.
The film’s uneven pacing offers oft-witty, but mostly flat cameos. And it’s shockingly laced with NBA promos (even though I’ll admit that LeBron James, playing himself, is a delight). But where it should have tightened up and stayed tough—Schumer is supposed to be a free spirited, unrepentent single career gal who loves sex, booze and drugs—the film caves. She gets all kinds of weepy domestic advice from colleagues and family—especially her sister, played by Brie Larson who steals every scene she’s in from Schumer.

Schumer’s character works for a smut magazine whose editor is a shrill Tilda Swinton, playing the crude soulless boss, aiming for the bracing tone of Ab Fab‘s hilarious Joanna Lumley, “sweetie baby.” But even the great Swinton fails to pump energy into this mis-directed pastiche.

On assignment to write a behind the scenes article about a sports medicine specialist, played by Bill Hader, Schumer finds herself getting interested in the doctor for more than just a quickie. Fine. Sex in the City. Seinfeld. SNL. Meg Ryan. Tina Fey. Jennifer Lawrence in American Hustle. Joan Rivers for God’s sakes! We’ve seen this before. (more…)

The Liar is Not-to-Miss!

The Liar is Not-to-Miss!

liar.jpgHere’s a sneak peek of my review of The Liar—the entire piece is in this week’s GTWeekly. 

Santa Cruz Shakespeare‘s nimble new production of The Liar is the sort of searing live comedy that blows all things digital right off the map. Every single actor in this splendid production is remarkable. That needs repeating. Each and every actor adds sparkle. Nothing interferes. There is no down time. There are none of those, er, moments where you look at your cell phone and wonder how much longer the play will go on.

Romping through a very brisk 2 1/2 hours, the entire ensemble ran away with the opening night audience. Not since Richard Ziman’s Falstaff have I laughed so hard. Director Art Manke—whose Bach at Leipzig remains one of my fondest theater memories—took an exceptional cast and set it on fire. You always know what’s going on and every minute of it is delicious. Strap yourself in. The Liar is a triumph—a show smart enough to disarm skeptics and sexy enough to delight audiences in need of pre-Candy Crush fun.

Farewell to an arts visionary

Farewell to an arts visionary

k-sinsheimer-photo-copy_0.jpgIt’s hard to believe that Karen Sinsheimer is gone, so fierce was her energy and passion. In all things really, but especially for the arts.

I can still see her and Audrey taking meetings, using their influence, cooking up an official Shakespeare Festival site, something that would remain as a legacy for great theatrical productions in the future. Such irony, isn’t it? That not only is the Festival she helped to co-found no longer associated with UCSC, but the very Festival Glen named for her and actress/director/professor Audrey Stanley—the Glen itself will be gone as a Shakespeare venue after one more month of performances.

Karen was a larger-than-life beauty, whose graciousness was genuine. She was comfortable about the choices she’d made, and she made everyone around her feel the same way. Her passing sadly underscores the changes that have come to the beautiful redwood glen she loved and protected for so long.

It was a rare pleasure to have known her. [photo: Kimberly Kavish]

The Liar

The Liar

11694008_987544969923_8470895088890908252_n.jpgRapid-fire fun, witty over-the-top wordplay, lavish costumes, brilliant acting—you must put Santa Cruz Shakespeare‘s The Liar on your August calendar. We laughed ourselves senseless on opening night and gave thanks for the astute casting, directing, and savvy choice of a mid-summer night’s dream!

Life’s too short NOT to see this delicious spectacle.

[Shown here is the insanely talented Brian Smolin, who tears up the stage as the feckless liar, Dorante.]