by Christina Waters | Mar 20, 2007 | Home, Travel |
I love beautiful Balboa Park — you can always separate the great cities from the wannabees, by their parks. The Spanish Baroque “leftovers” from the 1915 Panama-California International Exposition, fill Balboa Park with graceful buildings and tropical gardens inviting leisurely strolling and picnicking. But the place is also filled with serious cultural diversions, from the Mingei Museum of international crafts, and the legendary Zoo, to the Aerospace Museum and the ornate Museum building, surrounded by gardens, fountains and even an old-fashioned organ pavilion, always well-used by lavish Mexican wedding parties.
My mom and I checked out the much-hyped Annie Liebovitz show, loaded with celebrity photos and intimate family vacation portraits. I found out more than I needed to know about every single hotel room in Venice that Liebovitz and her partner, the late Susan Sontag, had shared. And in all, it seemed more pop-star voyeurism trumped up as “art” than anything genuinely revealing about the human animal. A notable exception was a poignant photograph of Johnny Cash, not long before his death, looking at his wife, June Carter as she played the autoharp on their rambling front porch. His life was rolled into that single look of love and regret. Would that more of Liebovitz’ images on display had held as much.
There’s nothing like a line-up of Vanity Fair covers to work up an appetite, so we next hit the user-friendly Tea Pavilion dining patio, and swilled down udon noodles and teriyaki tofu rice bowls, washed down with green tea. This little al fresco spot, wedged conveniently between the main museum and the rose-filled Japanese Friendship Garden, offers friendly staff, fresh Japanese foods and low prices.
by Christina Waters | Mar 20, 2007 | Home, Wine |
That would be the current sale of Truchard Syrah 2000 for $12.99. You heard me. A seven-year-old killer wine from Carneros, Napa’s fabled domain of volcanic soil and deep terroir, for under thirteen dollars! It’s at Shoppers Corner right now (corner of Branciforte and Soquel for those out-of-town readers), and just so you know that I put my money where my mouth is, I just bought a case of the stuff myself. (more…)
by Christina Waters | Mar 14, 2007 | Home, Movies |
Digitally-manipulated postmodern super-hero mythology — yeah, baby! I am disgusted with myself, but I must confess up front. I wallowed, blissfully, in this two-hour exercise in visual S&M. I’m referring of course to 300, a graphic novel (i.e. adult comic book) by Frank Miller, brought to the screen (whether it needed to be or not) by Zack Snyder and company. A truly phenomenal bit of blood porno, 300 retells the legend/hype of 300 warrier-maniac Spartans making a stand against tens of thousands of Persians at Thermopylae. The real skirmish happened around 480 BC when Persian king Xerxes sent his bigger-than-God army to conquer Greece. But he didn’t count on the foolish bloodlust of the Spartans, who make their stand at the mouth of a narrow canyon, where they can maximize their numbers.
Yes, it’s a suicide mission — but god-almighty it offers a wild ride for the neural synapses. Making full, even ridiculous, use of leading-edge digital technology, the production breaks into visual territory that actually has no precedent. Sure there are the slow-motion, stop-action effects we’ve seen in Crouching Tiger, or The Matrix. And there are dazzling color effects — draining out everything except bronze and sepia-tones, and then pumping up the reds for all they’re worth — we’ve seen in recent work, such as Pan’s Labyrinth. But the overall package — artfully packed with more 12-pack abs, thighs of steel and just plain ripped-and-cut male bodies than I would have thought even existed on one small planet — is thrilling. Yes, I’m aghast that I am confessing this. Blood porn, to be sure. But in a socio-political era (ours) that is fast outpacing even Nero’s Rome for decay and decadence, 300 provides a splash of much-needed catharsis. And I must quickly point out that masculine beauty aside, there are scenes of breathtaking poetry in which the potential of digital sculpting is pushed way out to the front of the wave. (more…)
by Christina Waters | Mar 14, 2007 | Home, Wine |
Great red wine for under $10: It’s my new house red wine, the wittily-labelled 2004 Syrah, Domaine des Blagueur from Bonny Doon Vineyard, where every bottle comes with a witty label. Big, but not aggressive – full of fruit, yet well-mannered as a partner for foods, and most of all delicious. This Syrah is loaded with insistent tones of cassis, pepper, licorice and a whiff of rust. A mineral back, if you will.
Ralph Steadman’s label drawing of a joker with attitude says it all. Rustic sophistication, and despite the “here’s blood-in-your eye” label, this wine is no joke. Thirteen percent alcohol makes it an easy rider with everything from roast pork to striped bass, and the screw-top cap makes it even easier to access. French grapes (from the Languedoc in SW France), BD finesse. Allez vites! and get yours!
by Christina Waters | Mar 14, 2007 | Home |
Oswald has decided on its next home — at the corner of Soquel and Front Streets, home of the former Garage sports bar. And the deal just needs a few tweaks to be finalized. Downtown Redevelopment Director (and killer bridge player) Ceil Cirillo is, in a word “stoked” about the prospect of having a terrific bistro as the entrance to downtown Santa Cruz. “I am excited about the potential for everyone,” Cirillo told me. “We intend to build out the rest of the garage frontage on Front Street so that Oswald’s won’t be alone. They intend to close the entrance from the garage and only have an entrance from Front Street. It’s exciting!”
Also excited is Oswald’s Eric Lau, who concurs that the lease negotiations are in process, and prophecies, “probably 4 to 6 months until completion – though it’s hard to speculate.” Lau believes the whole Front Street area is “improving a lot,” pointing to plans to turn the former Santa Cruz Hardware into a clothing store, and the Octagon into a coffeehouse. Like many of us, Lau looks forward to “a cleaner, more friendly downtown.”
Whoa. Did he say “Octagon into coffeehouse?” Yes he did. And here’s why. Lulu’s @ the Octagon is almost a reality as you read this. Thanks to the entrepreneurial spirit of Lulu’s proprietor, Manthri Srinath, in alliance with the Museum of Art & History, the old 1882 Hall of Records at the corner of Front & Cooper Streets is being transformed into a showcase for artisan roasted coffees and selected organic foods. Things are definitely looking vibrant for the Abbott Square area, especially with Vinocruz in the act.
After your cappuccino at the new Lulu’s @ the Octagon, rush on over to the corner of Soquel and Front Streets and see if you don’t think Oswald will make the perfect entrance to downtown.
