by Christina Waters | Feb 10, 2008 | Food, Home |
If you look around you might just spot a 21st century Simone de Beauvoir or Jean-Paul Sartre sitting and scribbling something deep at one of the little tables on the deck of River Cafe, at 415 River Street in Santa Cruz. The perfect spot to soak up a bit of winter light, the deck here is the perfect oasis for enjoying a bracing espresso and one of those dense, moist fruit breads. Homemade temptation is the house specialty here.
On the east side of town, Black China Bakery has expanded its chic cafe into part of the indoor gallery space it shares with Ironwood. The colorful renovation — including vermillion and chartreuse walls lined with terrific plants and original artworks — is the top spot to enjoy organic salads, fragrant soups and panini starting 
at 11am every day except Monday.
And in the mornings, of course, Black China lives to seduce you into one of those peerless cranberry scones and some lascivious espresso drink or other. Black China Bakery Cafe is tucked behind Ironwood at 1121 Soquel Avenue – open Tues-Fri from 7am until 5pm, Sat & Sun from 9-4, and open on Mondays for 7-11am breakfasts.
by Christina Waters | Feb 5, 2008 | Home |
Trends and Issues in the Food Industries is the title of Shirley Tessler’s exciting new Cabrillo College culinary arts class exploring contemporary issues involved in the production, processing and sale of food products. Starting next Tuesday, Feb. 12, the class runs weekly from 3:30-5:40pm, and will feature the expertise of weekly guest lecturers. Jim Cochran of Swanton Berry Farms will talk about the challenges of growing organic foods while still making a living. Beekeeper Bob Miller talks about the decline in honeybee populations, Dennis Takahashi-Kelso of the Ocean Conservancy will deconstruct aquaculture and sustainable fishing. And more! All fascinating, and important state-of-the-art discussions. For more info and registration see check out Cabrillo’s CAHM program.
by Christina Waters | Feb 5, 2008 | Home |
Limoncello, O’mei, Shadowbrook:
Three of us checked out the very tempting $19.47, three-course dinner at Shadowbrook last night. Yum, in a word. The price is a budget-friendly reference to the founding year of this landmark – and to celebrate 60 years of hospitality expertise, this prix fixe offer continues on Sundays through April.
The deal is you get your choice of appetizers – we all went for the Caesar salad rather than artichoke soup – and a choice of dessert. I liked my moist bread pudding — the others swilled vanilla bean ice cream topped with chocolate sauce and whipped cream. Low cal. (more…)
by Christina Waters | Feb 5, 2008 | Home |
Finally a candidate offering just what we want – our own self-esteem. Taller, slimmer, younger, he’s exactly what America wants to be. The culturally-approved facade. The kind of self-image sold on television – “only three easy payments of $19.95!”
In his empty mirror we find the reflection we want – ourselves, only younger, taller, slimmer – and a politically-correct hue to boot. This American idol speaks not in issue-driven strategies, but in YouTube-friendly sound bites. “Change!†How much easier is that to absorb than actual discussion, dialogue, analysis?
America seems to want a candidate that could pose for the cover of GQ while simultaneously not saying anything to offend anyone. Not saying anything. For the self esteem generation, that’s, dude, like totally so awesome!
by Christina Waters | Feb 4, 2008 | Home |
A high-testesterone cast, a terse script crafted from a Cormac McCarthy western, and the mordant humor of the Coen brothers — No Country for Old Men is as close to flawless as it gets. Go see it just to see why Tommy Lee Jones’ face is a national treasure. Go see it and discover why Josh Brolin is about to become the next rugged leading man. And above all go see it to savor a searing performance by the brilliant Javier Bardem, whose cold-blooded mob assassin is a rock solid gem. Think Travis Bickle in Taxi Driver — now throw in a mesmerizing moral code and loads of Latin sex appeal.
No Country is bloody, edgy, absurd, wise — an existential masterpiece. Coen to the core.
